Monday, February 16, 2015

WINELINGUAL

Message in an uncorked bottle
The song begins with a 5-part harmony in Bb with the lyrics questioning whether life is real or simply a fantasy. The piano vamp and bass guitar shift the track to Bb Major at which point the singer confesses to killing a man and is accepting the fact that he's thrown his life away, the point is musically emphasized by brief modulations to Eb Major by the bass line which adds further despair to the gravity of the situation. It is at this point that the drums come in and continue the Bb Major vamp culminating in a guitar solo played in Eb Major. As the solo comes to a close, the entire band descends and abruptly cuts out into the new key of A Major, which is where the Opera section of the song begins. This operatic portion leads into the hard rock segment of the composition, which ends in a brilliant mixolydian scale in Bb with brief progressions into Eb Major and ending in a seamless transition to C Minor. It reverts back to Eb Major and then abruptly changes to F Major just before it ends with the lines "Any way the wind blows" which has been widely interpreted as the bohemian stance on identity.

Queen "Bohemian Rhapsody" 1975
I apologize for making you read that introduction and I'm fully aware that I've massacred a rock masterpiece by solely describing its musical blueprints. The fact is that I've been playing music since I was 6 years old and have a fundamental understanding of the mathematics behind song structure. But, who cares? I doubt that simply describing the fundamentals will make anyone want to revisit the song. Nor do I believe that describing my emotional response to it would help much either, but it is definitely more relatable. I can wax poetic about how amazing Bohemian Rhapsody is for as long as I have an audience, but nothing I say or write will ever measure up to you hearing it for yourself. Your response to it will be your own, and the best I can hope for is to turn you on to it and hopefully you'll be moved by it as much as I have been throughout my life. And if you don't like it, that's cool too, although you're kind of a soul-less idiot if you don't. Anyway, this is the same conundrum I experience when I attempt to describe wines for this blog. Although I haven't been drinking wine since I was 6 years old, I definitely consider myself an experienced wino and am continuing professional certification on the subject, but once again, who cares? I can't help but feel like I'm explaining the key of a song when I'm describing what the wine smells like, or how epic the solo is when I'm detailing the acid to tannin ratio. "Nothing really matters" indeed!

MUSICOPHILIA

The healing power of music
I can't help but hear music all the time and though it might sound strange, certain wines will remind me of a song. The idea doesn't seem so far fetched once I examine it further. Music and wine are both absorbed by our body, mind and spirit. Good wine, like a great song will stand out and eventually become a pleasant memory. The way music affects neural activity is a subject deeply explored by Oliver Sacks in his book Musicophilia: Tales of Music and the Brain. Sacks writes: "Every act of perception, is to some degree an act of creation, and every act of memory is to some degree an act of imagination." There's nothing passive about the act of listening to music and this idea is easily translatable to drinking wine. Both have the ability to birth an instant pleasant memory that will forever exist in my subconscious. I believe that it is because of these formations of pleasant neural pathways that they can easily become intertwined with music, film, art, or books. I've also noted that serious wine drinkers are usually vinyl heads, movie snobs, and/or book nerds. I can honestly say that I've had a Châteauneuf-du-Pape that made a Bobby Womack song pape into my head, an old Chinon that reminded me of a Red House Painters tune and a Priorat that made a Dio-era Black Sabbath song get stuck in my head for weeks. It's nice to know that there's a scientific name for that thing that happens when a glass of red wine unexpectedly conjures the voice of Ronnie James Dio.   

SYNESTHESIA

A Synesthetic wine label
Synesthesia is defined as a neurological phenomenon in which stimulation of one sensory or cognitive pathway leads to automatic, involuntary experiences in a second sensory or cognitive pathway. This definition makes it sound like a treatable illness you see in a pharmaceutical ad, but I believe it's a gift we all possess to some degree. In the book The Hidden Sense: Synesthesia In Art And Science, author Cretien Van Campen describes how some musicians see the colors of a note and suggests evidence of synesthesia in the works of Van Gogh, Kandinsky and in Nabokov's The Gift. As it pertains to wine, author Jamie Goode's book The Science Of Wine shows how the idea of a synaesthetic wine label has already been explored by Eyrie Vineyards in Oregon. Wine labels from Eyrie Vineyards describe the wines with colors and brushwork and were born out of the nauseating task of written wine descriptor notes. I'm glad that science has my back on the whole Dio thing, but there's something too clinical about these definitions. The emotional domino effect that can be triggered by an amazing wine or song can't be fully explained by science anymore than mind numbing descriptors. There's a feeling of connection to all things that takes place that I don't think words will ever capture.

"LANGUAGE IS WINE UPON THE LIPS"
-Virginia Woolf

2008 Domaine Fourrier Vielle Vignes
Gevrey-Chambertin
Conveying this feeling of a connection to all things via words becomes a seemingly impossible task. Charles Bukowski once said that writing is like attempting to swat a fly in the dark and I'm sure writers of any genre have felt this way at some point. And yet, that's the beauty of writing; as the audience we get to read those attempted swats at the fly and somehow become part of the process along the way. As it pertains to wine literature, sometimes there's a novel inside that bottle and you can't convey it with rating systems, comparisons to other vintages, or aroma descriptors. Personally, a song is the first thing that comes to mind since I can relate the texture of a wine to a musical genre. Perhaps I am a synesthete, but I'm not one to place much importance on labels. An overlooked factor that's not often cited in wine reviews is the final and most important component to the entire process of reading about and purchasing a wine: sharing. I take into consideration everything I know about a person before I bring a wine to dinner and it reminds me of the times I used to make mixtapes for friends (ya, I used to be that guy). My goal with those tapes is the same as the wines I write about or bring to a dinner, which is to simply expose someone to something they may enjoy. The best wine I ever had is my favorite because it was shared the night I fell in love. The mixtape I gave to the girl I had a crush on, worked.

Last night, I brought 2 bottles of wine to a double date. At the height of the table's inevitable complaining about jobs, I stopped and asked what they thought of the wine and why they liked it. Before long, we began discussing food pairings, why they worked, what other wines would pair well, other restaurants we wanted to check out and so forth. The negative conversation blossomed into positive talks about life in general and the 4 of us wished the night didn't have to end. Art is to be consumed, art can never be explained, art is powerful; whether it's in a bottle, a plate, a book, a song, or in the eyes of another.

   








     

Friday, February 6, 2015

READING BETWEEN THE VINES OF TRENTINO/ALTO ADIGE

"These mountains, whose peaks rise above the reign of the clouds are made up of different species of rocks...Their prolongation leads to the formation of sharp points, broken crests and jagged angles that characterize and indicate from afar mountains known as primitive." -Déodat de Dolomieu (1750-1801)
A breathtaking view of the vineyards in the Trentino/Alto Adige
The ground beneath geologist Déodat de Dolomieu's feet was illustrating a significant part of a major chapter in the Earth's history. His research of this unique and complex mountain range led to the discovery of a new mineral and subsequently some of the founding principles of Earth science were proposed here. This "pale mountain" as he described it was actually once at the bottom of a sea and is in fact an ancient coral reef. The Dolomites now bear his name and are recognized as a UNESCO world heritage site. The vines we'll be exploring are planted between the Dolomites and another equally impressive though dramatically different mountain chain.


The super continent of Pangea
The European Alps stretch roughly 750 miles across 8 different countries. The mountain range was formed as a result of plate tectonics as the Eurasian and African continents collided with one another during the breakup of the super continent of Pangea over 100 million years ago. There are 22 peaks that reach heights greater than 13,000 feet above sea level with Mont Blanc being the highest Alpine point (15,781 ft). Given the cold climate, the mountain tops are covered in snow and were once dominated by glaciers. There are currently conservation efforts in place to protect the oldest alpine glaciers, which have nearly all melted away as a result of global warming. Due to snow and glacial melting, fluvial deposits and moraine debris have settled into the soil found in the wine growing areas along the Adige river and its tributaries. Granite, slate and porphyry rocks are also present in the soil, as a result of early volcanic activity, as well as the magnesium rich limestone rocks aptly named Dolomite. The roots from the vines of the Trentino/Alto Adige draw their energy from these various soil types.   

Trentino/Alto Adige DOC zones

The Trentino/Alto Adige is the northernmost wine region of Italy sharing its border with Switzerland and Austria. It is nestled between the southern end of the European Alps and the Dolomites.  Its 32,000 acres of vineyards ranks 16th among Italy's 20 wine growing regions, however nearly 80% of the wines produced fall under the DOC (Denominazione di Origine Controllata) appellation classification, which ranks it #1 in overall regional Italian DOC production. There are a total of 8 DOC's within this region and various subregions that we'll use to guide us through the wines. Although this is ski country and some vineyards are planted as high as 3,300 feet above sea level, there are plenty of diverse climate and soil variations throughout the region. As the name suggests it is comprised of 2 autonomous regions. The Alto Adige is also known as the South Tyrol or Südtirol. The majority of the population is of Austro-Bavarian descent and German is the more common language spoken here. But before we explore Italy's Germanic side, let's begin our hike in the southern alpine vineyards of Trentino.

TRENTINO DOC        


The Trentino DOC stretches across roughly 40 miles between the communes of Avio in the south up to Mezzocorono in the north. Most of its vines are planted in the valleys alongside the Adige river, which runs north to south, and its tributaries. The Trentino DOC refers to the entire region; there are also 4 DOC's within its borders along with an additional 2 DOC's that it shares with the Alto Adige region. Each of these DOC's exist to authorize the grapes used and to regulate the style of wines produced by the villages for their respective provinces. Although local varietals and blends can be found in Trentino, it is dominated by international varietals due to the large cooperatives and wine estates that own most of the vineyard plantings. These international varietals can be found in bottles of Trentino DOC wines that are simply titled Trentino Rosso for reds and Trentino Bianco for the whites. Trentino Rosso's are not restricted to the percentages of grape varieties used and are basically Bordeaux blends made from Cabernet Sauvignon, Cabernet Franc, Carmenère and Merlot. Also, unrestricted are the Trentino Bianco's which blend Chardonnay, Pinot Bianco, Sauvignon Blanc, Müller Thurgau, and Manzoni Bianco. Nosiola, Moscato Giallo are native white varieties; while Teroldego, Schiava, Moscato Rosa, Marzemino, Enantio, Casetta, and Lagrein make up the native reds. In order to find these varieties, a deeper trek within the Trentino DOC is in order.

VALDADIGE TERRA DEI FORTI DOC

The bible for Italian wine geeks
Coming in from the south, the Valdadige Terra Dei Forti DOC is the first DOC encountered in the Trentino region and is probably the worst area to attempt to understand the wines of the entire Trentino/Alto Adige. It allows for the production of mostly varietal wines. The white wines produced are standard bianco and higher alcohol superiore versions of Pinot Grigio. Red wines are either standard rosso or aged riserva versions of Enantio and Casetta. If you've never heard of these grapes, you're not alone. Here in the U.S., finding bottles of Enantio or Casetta, which was on the brink of extinction just 10 years ago, is no easy task.  Coming across more Pinot Grigio and discovering the existence of unicorn wines is not the most promising start towards understanding the wines of Trentino/Alto Adige DOC, but it is definitely a common hurdle when navigating through Italy's vineyards. This won't be the first time that obscure native grape varieties will be encountered in this region and up until the publication of the Native Wine Grapes Of Italy by Ian D'Agata in 2014, information about these grapes has been scarce at best. 

A GLASS OF RED WINE BEFORE GOING TO HELL

2012 de Tarczal Marzemino D'Isera
Before arriving in Trento DOC there are 3 regions encountered on the way out of the Valdadige Terra Dei Forti. The wines produced in Castel Beseno, Ziresi, and Isera are of a superior quality and are recognized as sub-regions of the all encompassing Trentino DOC. Castel Beseno produces wines made from the indigenous white varietal Moscato Giallo. Ziresi and Isera each produce superiore wines made from the native Marzemino grape. Marzemino wines reveal peppery, dark berried aromas, yet are more acid driven with dark hues and a light to medium body. Of these 2 subregions, it is the Marzemino produced from Isera that is the more renowned thanks in large part to the opera Don Giovanni. Mozart must've thought very highly of this wine, since he specifically wrote it into the final banquet scene of his opera. "Versa il vino! Eccellente Marzemino!" requested Don Giovanni just before his deliverance into hell.

TRENTO DOC     

NV Ferrari Brut Chardonnay
The capital of Trentino provides us with a refreshing break from tracking down obscure varietals and rewards us with a glass of bubbly for our troubles. The Trento DOC is sparkling wine territory and employs the Champagne method for its production. Some of the largest acres of Chardonnay vines in the Trentino/Alto Adige are planted within this DOC thanks to internationally popular estates like Ferrari, which is one of the largest producers of sparkling wines worldwide. It is highly regulated when it comes to grape production with strict rules in place for how the vines are planted, cultivated, pruned, and hand-harvested. Once produced, the wines must rest on their lees for a minimum of 15 months for non-vintage, 24 for vintage, and 36 for riserva bottles. The rules are looser when it comes to the percentage of grapes used in the blends, however the wines must only be made from Chardonnay, Pinot Nero, Pinot Meunier, and Pinot Bianco.

TEROLDEGO ROTALIANO DOC & CASTELLER DOC

2011 Foradori Teroldego Rotaliano
The Teroldego Rotaliano DOC produces rosato and rosso wines from the Teroldego grape exclusively. There are minimum alcohol levels that must be achieved to meet superiore standards for labeling and aging requirements set for riserva wines.  As you would imagine, this is the DOC where the best examples of the Teroldego grape can be found. The soil types are sandy/gravelly with alluvial deposits scattered amongst the plain where the vines are planted. The color of these wines are usually dark purple with aromas of black fruits and tar. Normally, these traits are associated with tannin rich, fuller bodied wines; but this is not the case with Teroldego. The wines are acid forward with a very low tannin presence. They're light bodied and would benefit from being served at a slightly cooler temperature than most reds. Compensating for Trentino's lack of fuller bodied reds is the Casteller DOC. Wines labeled under this region must have a base of at least 50% Merlot with the remain half comprised of any combinations of Enantio, Schiava and/or Lagrein.


VIGNETTI DELLE DOLOMITI

2012 Castel Noarna Nosiola
2010 Foradori Fontanasanta Manzoni Bianco
Although DOC's are helpful in finding quality wines from a region, you'll often find that they only tell part of the terroir story. Wines categorized under the IGT (Indicazione Geografica Tipica) classification should never be overlooked and in some cases, the best examples of terroir expression come from wines labeled as such. Under the IGT Vignetti Delle Dolomiti (Dolomite Vineyards) there are excellent examples of the native grapes Teroldego, and Nosiola to be found along with Manzoni Bianco. Manzoni Bianco is one of those rare instances where genetic crossings have proven to be a success. It is the offspring of Riesling and Chardonnay and produces crisp, lightly aromatic floral wines on top of a medium body. While Manzoni Bianco has been adopted by the region and is growing in popularity, Nosiola is very much a native and one of the best storytellers of the entire Trentino/Alto Adige. A Nosiola wine is normally characterized by hazelnut aromas and a rich, waxy texture that sits on a light acid driven body. There's a slight effervescent quality at the end of its crisp mineral finish. In a region with fairly straight forward wines, Nosiola's are among the most complex. And speaking of complex, prepare for a tower of babel effect heading out of Trentino and into the higher altitude vineyards of the Alto Adige. Here, Moscato Giallo is called Goldenmuskateller, Schiava is now Vernatsch and the Alto Adige becomes the Südtirol.

ALTO ADIGE/SÜDTIROL DOC

While plate tectonics, volcanic activity, and erosion played their role in shaping the ground below; war, dictatorships, and geopolitics are responsible for shaping the land above. The Südtirol's Bavarian roots can be traced back to the Holy Roman Empire from the 8th century when it was a part of the Kingdom Of Germany. The Treaty of Paris of 1810 signed in the midst of the Napoleonic wars, resulted in a border division between the Austrian governed Südtirol, and the Trentino region controlled by Napoleon's Kingdom Of Italy. This border division lasted until Südtirol's annexation by Italy in the aftermath of World War I. Under the Mussolini dictatorship (1922-1943), the local German population underwent a program of Italianization and were banned from speaking their native language. German wasn't officially recognized again until the aftermath of World War II, which is also when the current border lines were drawn up along with the official Italian name for both regions: Trentino/Alto Adige.   

2013 Andreas Huber
Azienda Agricola Pacher Hof Sylvaner
The vineyards of the Alto Adige/Südtirol DOC stretch roughly 36 miles and are steeper than those of Trentino, ranging from 650-3,300 feet above sea level. Its high elevation and cool climate are ideal for the production of crisp white wines. The Germanic culture's love of rules and order are reflected in the fact that nearly all of the wines produced adhere to DOC law. As expected, the white varietals used are normally associated with Germany and Austria. These include Riesling, Sylvaner and the genetically crossed Müller Thurgau (Riesling/Madeleine Royale) and Kerner (Riesling/Vernatsch). Gewürztraminer is also grown and though it got its name from the town of Traminer located near the capital city of Bolzano, it is unclear if it is in fact native to the region. Südtirol bottles are labeled with the varietal name written in German and some may even specify the ripeness levels, which is a labeling rule not used anywhere else in Italy. International varietals such as Chardonnay and Sauvignon Blanc are also widely planted as well as Pinot Bianco, Pinot Grigio, and Moscato Giallo.                     

2013 Gumphof Markus Prackwieser
  Südtiroler Vernatsch
2011 Weingut Niklas
Südtiroler Lagrein
Rosenmuskateller (Moscato Rosa), Vernatsch (Schiava), and Lagrein are the native red varietals found throughout the Südtirol. Rosenmuskateller wine is another bottle we can add to our growing unicorn wine cellar, however examples of Vernatsch and Lagrein from various producers are fairly easy to sample. Vernatsch wines can easily be mistaken for a rosé since they are incredibly light in color. They're basically white wines disguised as reds since they are light bodied, acid driven and virtually tannin free. Delicate aromas of strawberries, red roses and an occasional pepper note are normally associated with Vernatsch. Lagrein is mostly grown around the capital city of Bolzano. Due to the orientation of the vineyards and the unique microclimate, the grapes take in a lot of sunshine with temperatures hitting well over 100℉ in the summertime. Combined with its natural properties, Lagrein produces wines that are medium bodied with a more composed tannin structure. The fruit aromas are more on the jammier side and the wines are usually characterized by a slightly bitter aftertaste.

SNOWBLIND TASTING NOTES

If there were a single word I would use to describe the wines of Trentino/Alto Adige it would be: unpretentious. These are straightforward, high quality, honest wines that have an air of freshness, provided not only by the alpine winds, but by its unique melting pot of 2 vastly different cultures. Throughout its history, these 2 regions have been occupied together, been a part of separate empires, and currently coexist, all while not even speaking the same language. Yet, despite the differences, the Adige River has always been there, giving life to the vineyards of both the Trentino and Südtirol. And that's what it's all about really: finding more things we have in common with one another. At least that's my view from the top of these mountains.