Friday, May 15, 2015

SKETCHES OF RIOJA

A sculpture from Dinastía Vivanco's wine museum in the village of Briones.


As wine consumers, we understand that wine can improve with age. Outstanding vintages, such as the current 2010 wines from Barolo, command higher than normal prices driven solely by their aging potential. Tracking down a properly aged wine can fetch hundreds or even thousands of dollars and are a bit of a gamble, since there's always the risks associated with improper storage. When it comes to wine, time is money. The wines from Rioja offer a rare opportunity to taste a fully evolved wine at a fraction of the cost. Current releases on the market can range between 3 to 38 years old and because they have been cellared by the winemaker's themselves, the odds of opening up a bottle of vinegar for your guests are significantly lower. Although there are other remarkable wine producing regions within the country; Rioja and its majestic wines are Spain in a glass.      

LA RIOJA


The 3 regions of La Rioja
La Rioja is divided into 3 regions: La Rioja Alta to the west, La Rioja Alavesa to the east and north, and La Rioja Baja to the south. The Ebro River and its tributaries run through all of the 7 wine growing valleys. Highly fertile alluvial and ferrous clay soils are found throughout the entire region, while a higher concentration of calcareous clay and limestone soils can be found in the Alavesa and Rioja Alta. La Rioja lies in between 2 varied climatic influences. Its close proximity to the Bay of Biscay to the north is responsible for the cooler Atlantic winds, while the warmer Mediterranean air currents come in from the east. This delicate balance of climatic conditions directly translates to the vineyards and the quality of the wines can vary greatly depending on the vintage. La Rioja is dominated by interlocking mountain ranges, which play a vital role, not only in soil composition and vineyard orientation, but in protecting the vineyards from potentially damaging winds. The Sierra de la Demanda and Cantabrian mountains shield the Alavesa and Rioja Alta from the cold Atlantic gusts, while the Yerga mountains prevent the warm Mediterranean winds from overwhelming the Rioja Baja.

 
1999 R. López De Herdia
Viña Tondonia Reserva Viura
2010 Viña Ijalba Graciano
There are a total of nearly 158,000 acres of vineyards in La Rioja, of which there are just over 10,000 acres dedicated to white grapes. 7 grape varieties account for nearly all of the wines produced. Although it is the most important and widely planted varietal in Spain, Tempranillo is at its best in La Rioja and its stylistic range is exemplified in the diversity of terroirs in the 3 regions. Although there are single varietal examples, Mazuelo (aka Carignan), Garnacha, and Graciano are mainly used as blending agents to compliment the Tempranillo based red blends. Viura takes center stage for the white wines of Rioja while Malvasia and Garnacha Blanca act as the supporting cast. 4 other indigenous varieties, the red Maturana Tinta, and the whites Maturana Blanca, Tempranillo Blanco, and Turruntés may be used. To a lesser extent, the international varietals Chardonnay, Sauvignon Blanc, and Verdejo are also cultivated.

BARREL AGING DESIGNATIONS


1978 R. López De Heredia
Viña Bosconia Gran Reserva
The Rioja Regulatory Control Board requires producers to display a color coded aging category label on their bottles. Regardless of the label, all of the wines begin their aging process in 60 gallon oak casks, traditionally in American barrels, though some wineries use French or a combination of both. The amount of time spent in barrels and in bottle before being released to consumers will determine the style of wine produced. Though minimum aging requirements are set by the control board, the great majority of producers surpass these minimums and adhere to their Bodegas' own aging standards. Cosecha's are the youngest of the lot and spend less than a year in oak and less than a year in bottle. They are meant to be consumed young and are generally fruity and simple. Crianza wines are at least 2 years of age when they are released, with a minimum 1 year in oak for the reds, 6 months for the whites and rosés. Red wines labeled Reserva must spend at least 1 year in oak and 2 years in bottle, while the white and rosé wines spend at least 6 months in oak and 18 months in bottle. This is designed to mute the fruitiness of the wines to allow different flavors and textures to develop. They are already evolved upon release, and are built for further cellaring if desired. The minimums for Gran Reservas are 2 years in oak casks and 3 years in bottle for the reds, 1 year in oak and 3 years in bottle for whites and rosés. These wines are complex, elegant and despite the minimums, are usually held at least a decade before they leave the winery. Gran Reserva's are the best that Rioja has to offer and most bodegas only produce these wines in exceptional vintages. As you may have already guessed, with so much freedom for aging potential, the quality of each of these categories of wines depends heavily on the reputation of the individual bodega and where they source from.

LA RIOJA ALTA

1998 Bodegas Riojanas
Monte Real Gran Reserva
2000 Marqués de Murrieta
Castillo Ygay Gran Reserva
Out of the 3 regions, the largest amount of vineyards can be found in La Rioja Alta. Thanks to a greater diversity of microclimates, elevation, and soil types, the most prized vineyards and best producers come from this region. The region lies higher up towards the headwaters of the Ebro River and most of the vineyards can be found on its left bank. Influenced by the Atlantic, the Oja Valley and its high elevation encompasses the municipalities of Briñas, Briones, Haro and Villalba de Rioja. Depending on its proximity to the river, the vineyards sit atop of chalky clay and alluvial soils. This is the area where the most iconic producers of Reserva and Gran Reserva's are found. Among them are: R. López de Heredia, Bodegas Muga, La Rioja Alta, CVNE, and Bodegas Bilbainas. The middle section of Rioja Alta also has a rich tradition of producing quality wines. The vineyards surrounding the municipalities of Cenicero and Fuenmayor are also dominated by alluvial and clay soils, but with a bit of a warm and drier Mediterranean influence. Bodegas Riojanas, Marqués de Cáceres, and LAN are among its best producers. Logroño is the largest city in Rioja and serves as its capital. It is the southernmost municipality in La Rioja Alta and is much more influenced by its warm Mediterranean climate than the rest of the region. Marqués de Murrieta and Marqués de Vargas have been making outstanding fuller bodied offerings for over 150 years.

LA RIOJA ALAVESA

2005 Bodegas García de Olano
Mauleón Reserva
The Alavesa is the smallest of the 3 regions both in size and in wine production. The regional identity is Riojan, however, due to its proximity to its northern neighbor, there is a strong Basque connection. The area lies on the right bank of the Ebro River and despite its protection by the Toloño and Cantabrian Mountain ranges, it's far more susceptible to the cold climate and rain from the Atlantic Ocean. Vineyards sit on limestone and calcareous clay soils, which are reflected in the lighter bodied and more mineral driven character of Alavesa wines. Most of the wines are single varietal examples of Tempranillo, which tend to be fruitier and brighter in color than other Riojas, though this is not only due to the cooler climate and terroir. The Alavesa has a long history of employing the carbonic maceration fermentation method popularized by the fruity Gamay wines of the French Beaujolais region. Marqués de Riscal, and Bodegas Faustino are among the oldest and most reliable producers of the region, but it's the wines of newcomers, such as the Bodegas Hermanos Peciña, that are drawing a new generation of consumers and are building on the Alavesa's already sturdy reputation for high quality Riojan expressions.


LA RIOJA BAJA

2009 Baron De Ley
Reserva
The vines in the Baja are planted between 980 to 2,300 feet above sea level, making them the highest elevation vineyards of Rioja. It is the largest of the 3 regions and produces nearly as much wine as the Rioja Alta. With so much terrain, the soil content varies throughout the region, though most of it is either alluvial or iron rich clay. La Rioja Baja, on average, receives less rainfall than the other regions and experiences higher temperatures thanks to its strong Mediterranean influence. These factors cause its Tempranillo vines to ripen in a manner that produces richer styles of wine. Producers of Rioja Baja wines are not nearly as celebrated as the other 2 regions, however wines produced by young winemakers like Bodegas Lacus/Olivier Rivière, and Palacios Remondo, operated by famed Priorat producer Álvaro Palacios, are leading the way towards elevating the status of La Rioja Baja.   



1978

As cheesy as it is, I'm not ashamed to admit that I've purchased a birth year bottle. For some reason, last year it was important for me to enjoy a wine on my birthday whose grapes were hand harvested on the same year that I was, technically, hand harvested. My only experience with aged wine at the time was with La Rioja. I had tried several producers whose wines had been aged for nearly 20 years, were extremely complex, and enjoyed beyond its mere $40 price tag. So when it was time to purchase my birth year wine, I was comfortable paying more for what I imagined would be, a bottled experience. It was indeed. Since then, I've had the good fortune to try old vintages from various wine growing regions and can confidently say that aged wines will either be well versed storytellers or cranky "get off my lawn" philistines. Age doesn't automatically translate to wisdom, but the bottle I listened to that night did. And for the record, wisdom tastes delicious. 

Concierto De Aranjuez

Monday, February 16, 2015

WINELINGUAL

Message in an uncorked bottle
The song begins with a 5-part harmony in Bb with the lyrics questioning whether life is real or simply a fantasy. The piano vamp and bass guitar shift the track to Bb Major at which point the singer confesses to killing a man and is accepting the fact that he's thrown his life away, the point is musically emphasized by brief modulations to Eb Major by the bass line which adds further despair to the gravity of the situation. It is at this point that the drums come in and continue the Bb Major vamp culminating in a guitar solo played in Eb Major. As the solo comes to a close, the entire band descends and abruptly cuts out into the new key of A Major, which is where the Opera section of the song begins. This operatic portion leads into the hard rock segment of the composition, which ends in a brilliant mixolydian scale in Bb with brief progressions into Eb Major and ending in a seamless transition to C Minor. It reverts back to Eb Major and then abruptly changes to F Major just before it ends with the lines "Any way the wind blows" which has been widely interpreted as the bohemian stance on identity.

Queen "Bohemian Rhapsody" 1975
I apologize for making you read that introduction and I'm fully aware that I've massacred a rock masterpiece by solely describing its musical blueprints. The fact is that I've been playing music since I was 6 years old and have a fundamental understanding of the mathematics behind song structure. But, who cares? I doubt that simply describing the fundamentals will make anyone want to revisit the song. Nor do I believe that describing my emotional response to it would help much either, but it is definitely more relatable. I can wax poetic about how amazing Bohemian Rhapsody is for as long as I have an audience, but nothing I say or write will ever measure up to you hearing it for yourself. Your response to it will be your own, and the best I can hope for is to turn you on to it and hopefully you'll be moved by it as much as I have been throughout my life. And if you don't like it, that's cool too, although you're kind of a soul-less idiot if you don't. Anyway, this is the same conundrum I experience when I attempt to describe wines for this blog. Although I haven't been drinking wine since I was 6 years old, I definitely consider myself an experienced wino and am continuing professional certification on the subject, but once again, who cares? I can't help but feel like I'm explaining the key of a song when I'm describing what the wine smells like, or how epic the solo is when I'm detailing the acid to tannin ratio. "Nothing really matters" indeed!

MUSICOPHILIA

The healing power of music
I can't help but hear music all the time and though it might sound strange, certain wines will remind me of a song. The idea doesn't seem so far fetched once I examine it further. Music and wine are both absorbed by our body, mind and spirit. Good wine, like a great song will stand out and eventually become a pleasant memory. The way music affects neural activity is a subject deeply explored by Oliver Sacks in his book Musicophilia: Tales of Music and the Brain. Sacks writes: "Every act of perception, is to some degree an act of creation, and every act of memory is to some degree an act of imagination." There's nothing passive about the act of listening to music and this idea is easily translatable to drinking wine. Both have the ability to birth an instant pleasant memory that will forever exist in my subconscious. I believe that it is because of these formations of pleasant neural pathways that they can easily become intertwined with music, film, art, or books. I've also noted that serious wine drinkers are usually vinyl heads, movie snobs, and/or book nerds. I can honestly say that I've had a Châteauneuf-du-Pape that made a Bobby Womack song pape into my head, an old Chinon that reminded me of a Red House Painters tune and a Priorat that made a Dio-era Black Sabbath song get stuck in my head for weeks. It's nice to know that there's a scientific name for that thing that happens when a glass of red wine unexpectedly conjures the voice of Ronnie James Dio.   

SYNESTHESIA

A Synesthetic wine label
Synesthesia is defined as a neurological phenomenon in which stimulation of one sensory or cognitive pathway leads to automatic, involuntary experiences in a second sensory or cognitive pathway. This definition makes it sound like a treatable illness you see in a pharmaceutical ad, but I believe it's a gift we all possess to some degree. In the book The Hidden Sense: Synesthesia In Art And Science, author Cretien Van Campen describes how some musicians see the colors of a note and suggests evidence of synesthesia in the works of Van Gogh, Kandinsky and in Nabokov's The Gift. As it pertains to wine, author Jamie Goode's book The Science Of Wine shows how the idea of a synaesthetic wine label has already been explored by Eyrie Vineyards in Oregon. Wine labels from Eyrie Vineyards describe the wines with colors and brushwork and were born out of the nauseating task of written wine descriptor notes. I'm glad that science has my back on the whole Dio thing, but there's something too clinical about these definitions. The emotional domino effect that can be triggered by an amazing wine or song can't be fully explained by science anymore than mind numbing descriptors. There's a feeling of connection to all things that takes place that I don't think words will ever capture.

"LANGUAGE IS WINE UPON THE LIPS"
-Virginia Woolf

2008 Domaine Fourrier Vielle Vignes
Gevrey-Chambertin
Conveying this feeling of a connection to all things via words becomes a seemingly impossible task. Charles Bukowski once said that writing is like attempting to swat a fly in the dark and I'm sure writers of any genre have felt this way at some point. And yet, that's the beauty of writing; as the audience we get to read those attempted swats at the fly and somehow become part of the process along the way. As it pertains to wine literature, sometimes there's a novel inside that bottle and you can't convey it with rating systems, comparisons to other vintages, or aroma descriptors. Personally, a song is the first thing that comes to mind since I can relate the texture of a wine to a musical genre. Perhaps I am a synesthete, but I'm not one to place much importance on labels. An overlooked factor that's not often cited in wine reviews is the final and most important component to the entire process of reading about and purchasing a wine: sharing. I take into consideration everything I know about a person before I bring a wine to dinner and it reminds me of the times I used to make mixtapes for friends (ya, I used to be that guy). My goal with those tapes is the same as the wines I write about or bring to a dinner, which is to simply expose someone to something they may enjoy. The best wine I ever had is my favorite because it was shared the night I fell in love. The mixtape I gave to the girl I had a crush on, worked.

Last night, I brought 2 bottles of wine to a double date. At the height of the table's inevitable complaining about jobs, I stopped and asked what they thought of the wine and why they liked it. Before long, we began discussing food pairings, why they worked, what other wines would pair well, other restaurants we wanted to check out and so forth. The negative conversation blossomed into positive talks about life in general and the 4 of us wished the night didn't have to end. Art is to be consumed, art can never be explained, art is powerful; whether it's in a bottle, a plate, a book, a song, or in the eyes of another.

   








     

Friday, February 6, 2015

READING BETWEEN THE VINES OF TRENTINO/ALTO ADIGE

"These mountains, whose peaks rise above the reign of the clouds are made up of different species of rocks...Their prolongation leads to the formation of sharp points, broken crests and jagged angles that characterize and indicate from afar mountains known as primitive." -Déodat de Dolomieu (1750-1801)
A breathtaking view of the vineyards in the Trentino/Alto Adige
The ground beneath geologist Déodat de Dolomieu's feet was illustrating a significant part of a major chapter in the Earth's history. His research of this unique and complex mountain range led to the discovery of a new mineral and subsequently some of the founding principles of Earth science were proposed here. This "pale mountain" as he described it was actually once at the bottom of a sea and is in fact an ancient coral reef. The Dolomites now bear his name and are recognized as a UNESCO world heritage site. The vines we'll be exploring are planted between the Dolomites and another equally impressive though dramatically different mountain chain.


The super continent of Pangea
The European Alps stretch roughly 750 miles across 8 different countries. The mountain range was formed as a result of plate tectonics as the Eurasian and African continents collided with one another during the breakup of the super continent of Pangea over 100 million years ago. There are 22 peaks that reach heights greater than 13,000 feet above sea level with Mont Blanc being the highest Alpine point (15,781 ft). Given the cold climate, the mountain tops are covered in snow and were once dominated by glaciers. There are currently conservation efforts in place to protect the oldest alpine glaciers, which have nearly all melted away as a result of global warming. Due to snow and glacial melting, fluvial deposits and moraine debris have settled into the soil found in the wine growing areas along the Adige river and its tributaries. Granite, slate and porphyry rocks are also present in the soil, as a result of early volcanic activity, as well as the magnesium rich limestone rocks aptly named Dolomite. The roots from the vines of the Trentino/Alto Adige draw their energy from these various soil types.   

Trentino/Alto Adige DOC zones

The Trentino/Alto Adige is the northernmost wine region of Italy sharing its border with Switzerland and Austria. It is nestled between the southern end of the European Alps and the Dolomites.  Its 32,000 acres of vineyards ranks 16th among Italy's 20 wine growing regions, however nearly 80% of the wines produced fall under the DOC (Denominazione di Origine Controllata) appellation classification, which ranks it #1 in overall regional Italian DOC production. There are a total of 8 DOC's within this region and various subregions that we'll use to guide us through the wines. Although this is ski country and some vineyards are planted as high as 3,300 feet above sea level, there are plenty of diverse climate and soil variations throughout the region. As the name suggests it is comprised of 2 autonomous regions. The Alto Adige is also known as the South Tyrol or Südtirol. The majority of the population is of Austro-Bavarian descent and German is the more common language spoken here. But before we explore Italy's Germanic side, let's begin our hike in the southern alpine vineyards of Trentino.

TRENTINO DOC        


The Trentino DOC stretches across roughly 40 miles between the communes of Avio in the south up to Mezzocorono in the north. Most of its vines are planted in the valleys alongside the Adige river, which runs north to south, and its tributaries. The Trentino DOC refers to the entire region; there are also 4 DOC's within its borders along with an additional 2 DOC's that it shares with the Alto Adige region. Each of these DOC's exist to authorize the grapes used and to regulate the style of wines produced by the villages for their respective provinces. Although local varietals and blends can be found in Trentino, it is dominated by international varietals due to the large cooperatives and wine estates that own most of the vineyard plantings. These international varietals can be found in bottles of Trentino DOC wines that are simply titled Trentino Rosso for reds and Trentino Bianco for the whites. Trentino Rosso's are not restricted to the percentages of grape varieties used and are basically Bordeaux blends made from Cabernet Sauvignon, Cabernet Franc, Carmenère and Merlot. Also, unrestricted are the Trentino Bianco's which blend Chardonnay, Pinot Bianco, Sauvignon Blanc, Müller Thurgau, and Manzoni Bianco. Nosiola, Moscato Giallo are native white varieties; while Teroldego, Schiava, Moscato Rosa, Marzemino, Enantio, Casetta, and Lagrein make up the native reds. In order to find these varieties, a deeper trek within the Trentino DOC is in order.

VALDADIGE TERRA DEI FORTI DOC

The bible for Italian wine geeks
Coming in from the south, the Valdadige Terra Dei Forti DOC is the first DOC encountered in the Trentino region and is probably the worst area to attempt to understand the wines of the entire Trentino/Alto Adige. It allows for the production of mostly varietal wines. The white wines produced are standard bianco and higher alcohol superiore versions of Pinot Grigio. Red wines are either standard rosso or aged riserva versions of Enantio and Casetta. If you've never heard of these grapes, you're not alone. Here in the U.S., finding bottles of Enantio or Casetta, which was on the brink of extinction just 10 years ago, is no easy task.  Coming across more Pinot Grigio and discovering the existence of unicorn wines is not the most promising start towards understanding the wines of Trentino/Alto Adige DOC, but it is definitely a common hurdle when navigating through Italy's vineyards. This won't be the first time that obscure native grape varieties will be encountered in this region and up until the publication of the Native Wine Grapes Of Italy by Ian D'Agata in 2014, information about these grapes has been scarce at best. 

A GLASS OF RED WINE BEFORE GOING TO HELL

2012 de Tarczal Marzemino D'Isera
Before arriving in Trento DOC there are 3 regions encountered on the way out of the Valdadige Terra Dei Forti. The wines produced in Castel Beseno, Ziresi, and Isera are of a superior quality and are recognized as sub-regions of the all encompassing Trentino DOC. Castel Beseno produces wines made from the indigenous white varietal Moscato Giallo. Ziresi and Isera each produce superiore wines made from the native Marzemino grape. Marzemino wines reveal peppery, dark berried aromas, yet are more acid driven with dark hues and a light to medium body. Of these 2 subregions, it is the Marzemino produced from Isera that is the more renowned thanks in large part to the opera Don Giovanni. Mozart must've thought very highly of this wine, since he specifically wrote it into the final banquet scene of his opera. "Versa il vino! Eccellente Marzemino!" requested Don Giovanni just before his deliverance into hell.

TRENTO DOC     

NV Ferrari Brut Chardonnay
The capital of Trentino provides us with a refreshing break from tracking down obscure varietals and rewards us with a glass of bubbly for our troubles. The Trento DOC is sparkling wine territory and employs the Champagne method for its production. Some of the largest acres of Chardonnay vines in the Trentino/Alto Adige are planted within this DOC thanks to internationally popular estates like Ferrari, which is one of the largest producers of sparkling wines worldwide. It is highly regulated when it comes to grape production with strict rules in place for how the vines are planted, cultivated, pruned, and hand-harvested. Once produced, the wines must rest on their lees for a minimum of 15 months for non-vintage, 24 for vintage, and 36 for riserva bottles. The rules are looser when it comes to the percentage of grapes used in the blends, however the wines must only be made from Chardonnay, Pinot Nero, Pinot Meunier, and Pinot Bianco.

TEROLDEGO ROTALIANO DOC & CASTELLER DOC

2011 Foradori Teroldego Rotaliano
The Teroldego Rotaliano DOC produces rosato and rosso wines from the Teroldego grape exclusively. There are minimum alcohol levels that must be achieved to meet superiore standards for labeling and aging requirements set for riserva wines.  As you would imagine, this is the DOC where the best examples of the Teroldego grape can be found. The soil types are sandy/gravelly with alluvial deposits scattered amongst the plain where the vines are planted. The color of these wines are usually dark purple with aromas of black fruits and tar. Normally, these traits are associated with tannin rich, fuller bodied wines; but this is not the case with Teroldego. The wines are acid forward with a very low tannin presence. They're light bodied and would benefit from being served at a slightly cooler temperature than most reds. Compensating for Trentino's lack of fuller bodied reds is the Casteller DOC. Wines labeled under this region must have a base of at least 50% Merlot with the remain half comprised of any combinations of Enantio, Schiava and/or Lagrein.


VIGNETTI DELLE DOLOMITI

2012 Castel Noarna Nosiola
2010 Foradori Fontanasanta Manzoni Bianco
Although DOC's are helpful in finding quality wines from a region, you'll often find that they only tell part of the terroir story. Wines categorized under the IGT (Indicazione Geografica Tipica) classification should never be overlooked and in some cases, the best examples of terroir expression come from wines labeled as such. Under the IGT Vignetti Delle Dolomiti (Dolomite Vineyards) there are excellent examples of the native grapes Teroldego, and Nosiola to be found along with Manzoni Bianco. Manzoni Bianco is one of those rare instances where genetic crossings have proven to be a success. It is the offspring of Riesling and Chardonnay and produces crisp, lightly aromatic floral wines on top of a medium body. While Manzoni Bianco has been adopted by the region and is growing in popularity, Nosiola is very much a native and one of the best storytellers of the entire Trentino/Alto Adige. A Nosiola wine is normally characterized by hazelnut aromas and a rich, waxy texture that sits on a light acid driven body. There's a slight effervescent quality at the end of its crisp mineral finish. In a region with fairly straight forward wines, Nosiola's are among the most complex. And speaking of complex, prepare for a tower of babel effect heading out of Trentino and into the higher altitude vineyards of the Alto Adige. Here, Moscato Giallo is called Goldenmuskateller, Schiava is now Vernatsch and the Alto Adige becomes the Südtirol.

ALTO ADIGE/SÜDTIROL DOC

While plate tectonics, volcanic activity, and erosion played their role in shaping the ground below; war, dictatorships, and geopolitics are responsible for shaping the land above. The Südtirol's Bavarian roots can be traced back to the Holy Roman Empire from the 8th century when it was a part of the Kingdom Of Germany. The Treaty of Paris of 1810 signed in the midst of the Napoleonic wars, resulted in a border division between the Austrian governed Südtirol, and the Trentino region controlled by Napoleon's Kingdom Of Italy. This border division lasted until Südtirol's annexation by Italy in the aftermath of World War I. Under the Mussolini dictatorship (1922-1943), the local German population underwent a program of Italianization and were banned from speaking their native language. German wasn't officially recognized again until the aftermath of World War II, which is also when the current border lines were drawn up along with the official Italian name for both regions: Trentino/Alto Adige.   

2013 Andreas Huber
Azienda Agricola Pacher Hof Sylvaner
The vineyards of the Alto Adige/Südtirol DOC stretch roughly 36 miles and are steeper than those of Trentino, ranging from 650-3,300 feet above sea level. Its high elevation and cool climate are ideal for the production of crisp white wines. The Germanic culture's love of rules and order are reflected in the fact that nearly all of the wines produced adhere to DOC law. As expected, the white varietals used are normally associated with Germany and Austria. These include Riesling, Sylvaner and the genetically crossed Müller Thurgau (Riesling/Madeleine Royale) and Kerner (Riesling/Vernatsch). Gewürztraminer is also grown and though it got its name from the town of Traminer located near the capital city of Bolzano, it is unclear if it is in fact native to the region. Südtirol bottles are labeled with the varietal name written in German and some may even specify the ripeness levels, which is a labeling rule not used anywhere else in Italy. International varietals such as Chardonnay and Sauvignon Blanc are also widely planted as well as Pinot Bianco, Pinot Grigio, and Moscato Giallo.                     

2013 Gumphof Markus Prackwieser
  Südtiroler Vernatsch
2011 Weingut Niklas
Südtiroler Lagrein
Rosenmuskateller (Moscato Rosa), Vernatsch (Schiava), and Lagrein are the native red varietals found throughout the Südtirol. Rosenmuskateller wine is another bottle we can add to our growing unicorn wine cellar, however examples of Vernatsch and Lagrein from various producers are fairly easy to sample. Vernatsch wines can easily be mistaken for a rosé since they are incredibly light in color. They're basically white wines disguised as reds since they are light bodied, acid driven and virtually tannin free. Delicate aromas of strawberries, red roses and an occasional pepper note are normally associated with Vernatsch. Lagrein is mostly grown around the capital city of Bolzano. Due to the orientation of the vineyards and the unique microclimate, the grapes take in a lot of sunshine with temperatures hitting well over 100℉ in the summertime. Combined with its natural properties, Lagrein produces wines that are medium bodied with a more composed tannin structure. The fruit aromas are more on the jammier side and the wines are usually characterized by a slightly bitter aftertaste.

SNOWBLIND TASTING NOTES

If there were a single word I would use to describe the wines of Trentino/Alto Adige it would be: unpretentious. These are straightforward, high quality, honest wines that have an air of freshness, provided not only by the alpine winds, but by its unique melting pot of 2 vastly different cultures. Throughout its history, these 2 regions have been occupied together, been a part of separate empires, and currently coexist, all while not even speaking the same language. Yet, despite the differences, the Adige River has always been there, giving life to the vineyards of both the Trentino and Südtirol. And that's what it's all about really: finding more things we have in common with one another. At least that's my view from the top of these mountains. 







          
        

Saturday, January 17, 2015

THE SOUL OF BEAUJOLAIS CRU

Vineyards surrounding Mont Brouilly in the summertime. 

"Uproot, destroy and set to waste the bad and disloyal plant of Gamay, a plant that yields great quantities of wine..., wine of such nature that it brings much harm to human creatures, for it is full of tremendous and horrible bitterness."
- Philip the Bold


It's safe to say that Philip the Bold (1342-1404) was not a fan of Gamay. Although it sounds like a pissed off blog post from the 14th century, Philip the Bold happened to be the Duke of Burgundy and his distaste for Gamay led to a law in 1395 forever eradicating the grape from the vineyards north of the Mâcon. Winemakers continued to grow it south of the Mâcon, where it fared much better under different soil and climate conditions; finding its permanent home in Beaujolais.


The Beaujolais region covers about 30 miles north to south and is roughly 7-8 miles wide. Aside from its slightly warmer climate, the main difference between it and the rest of Burgundy is the composition of the soil. While Burgundy is rich with limestone, Beaujolais is best known for its granite and volcanic influenced soils, which gives Gamay its distinct mineral characteristic. Although some of these soil types can be found in the 41,000 acres that comprise the Beaujolais and Beaujolais-Village AOC's, the majority of this distinct soil type resides in the hills where the 15,500 acres of Beaujolais Cru reside. From south to north the 10 Beaujolais Cru AOC's are: Brouilly, Côte De Brouilly, Régnié, Morgon, Chiroubles, Fleurie, Moulin-à-Vent, Chénas, Juliénas and Saint-Amour. Each of these Cru's produce wines of different colors, aromas and taste profiles thanks to their unique terroir. To fully appreciate the concept of terroir is to understand that nature has shaken, stirred, and created the rocks for us to enjoy our wine. The soil tells the story, in the case of Beaujolais, it's a story that begins over 350 million years ago.

The Carboniferous period was a time of dense forests, early reptilian lifeforms and mountain chains that stretched across the globe. These massive mountain chains, known as the Hercynian Massif, eventually collapsed under their own weight. As they began to collapse and spread outward, mountain roots experienced a decline in pressure due to the lack of weight and began to rise and melt on their way up. According to Charles Frankel, scientist and author of Land and Wine: The French Terroir, "pods of granite stalled close to the surface and volcanic eruptions broke out into the open; the swan's song of the Hercynian Massif. The last remnants of its bygone splendor are the subdued rolling hills that today carry the 10 celebrated Crus of Beaujolais." These volcanic eruptions that have since been buried by uplifts and seismic shifts is how volcanic soil is present in a region with no visible active or dormant volcanoes on the current landscape.  
  
An image of what Earth looked like during the Carboniferous period (358.9-298.9 million years ago)

BROUILLY AOC & CÔTE DE BROUILLY AOC

2015 Domaine Dubost Brouilly
One of these rolling hills, Mont Brouilly, is where the Cru's Brouilly AOC and Côte de Brouilly AOC are located. The Brouilly AOC refer to the lower slopes of the hill and are planted with 3,250 acres of Gamay. Within the Brouilly AOC wines there are 3 types of soil, depending on which side of the hill the vines are planted. The western side consists of granite and pink pebbles rich in silica, the eastern side is limestone and the southern side consists of remnants from the blue volcanic rocks that have fallen from the above slopes of the Côte de Brouilly AOC. Because of the amount of variation in the terroir around Mont Brouilly, Brouilly AOC wines can have a distinct flavor profile within its location. Finding out what part of Brouilly the winemaker grows his grapes therefore becomes an important factor. Between the two, I've found that Brouilly AOC wines are generally lighter in color, body and intensity of aromatics than the wines of the Côte de Brouilly AOC. Compared to the rest of the Beaujolais Cru's both of these AOC's are a lot darker in color and display more subdued types of fruit aromas.

2005 Nicole Chanrion 
Côte de Brouilly

 The steeper slopes of Mont Brouilly is where we find the Côte de Brouilly AOC and its 775 acres of Gamay. Its soils are rich with diorite, which is the geological name of the blue volcanic rocks that made their way down the southern part of the hill. Frankel explains that the diorite "is not ash or lava per se, but magma congealed below the surface in the plumbing system of a volcano that has long since eroded away. The rock is also unusual in that it underwent a second phase of cooking by contact with a hot plume of granite that rose into the area...The extra round of baking altered its minerals towards a deeper blue...Volcanologists thus interpret the Mont Brouilly diorite as a legacy of oceanic volcanism, along a tectonic trench full of sediments." He also explains how the dark color of the rocks also act as radiators by absorbing sunlight and in turn heating up the soil and vines. The end result are wines with a deeper color, darker/slightly jammy fruit notes and a pronounced tannin structure. Given the unique qualities of the Côte de Brouilly terroir, they are also well equipped for extended periods of cellaring, which is an ability that only a few of the other Beaujolais Cru's share. A well aged Côte de Brouilly is a highly aromatic, complex and elegant wine. Although it remains light bodied, the acidity rounds out and evolves into a silky texture.

MORGON AOC 

2015 Jean Foillard Morgon
In addition to creating rolling hills such as Mont Brouilly, new fault zones and fissures were also formed as the Hercynian range continued its collapse. This allowed magma to flow into these newly formed basins which, exposed to above ground climate conditions, created a green type of volcanic rock found in the soils of the Morgon AOC and particularly on the southern part of Morgon on a hill named the Côte du Py. Adding further complexity to the soil of the Côte du Py, accumulated magma was then further baked by newer magmatic activity and thus created an oxygen poor schist with many fractures. This unique soil type is referred to as roche pourrie (rotten rock) by the local winemakers since it crumbles easily. These fractures enable Gamay vines to tap into an array of minerals which result in wines with a more structured/savory body and increased aging potential. Morgan AOC wines can differ from one another depending on where the vineyards are located. As in the rest of Beaujolais, granitic soils are prevalent, as are more common alluvial soil types. Morgon AOC wines are typically light in color with fresh red cherry and violet tones when they are young.

2015 Dominique Piron
'Côte du Py' Morgon
Although Morgon AOC's are some of the most satisfying amongst the Beaujolais Cru's, they lack the depth of the wines from the Côte du Py. Young Côte du Py wines are juicy, intensely aromatic with bright red berry tones and a good amount of earthy notes. They are outstanding within a few years of their harvest, but you will be greatly rewarded for your patience should you decide to take advantage of their cellaring potential. Côte du Py wines evolve with time and will begin developing the fleshy and elegant textures of the more celebrated Pinot Noir's from its Burgundy neighbors to the north, while retaining its distinct natural aromatic properties. Although this prized site within the Morgon AOC does not label the wines with a special Cru status, such as Grand Cru or Premier Cru, winemakers will identify Côte du Py on the front of their labels; and rightly so. If ever there were a Gamay wine that I'd nominate to travel back in time and slap Philip the Bold in his 14th century face, it would be an aged Morgon Côte du Py.

RÉGNIÉ AOC, CHIROUBLES AOC, FLEURIE AOC

As we head north, a different type of volcanic episode is responsible for the granitic soil found in the Cru's of Régnié, Chiroubles, and Fleurie. At the end of the Hercynian mountain collapse, the last crusts were stretched along with its underground magma. This magma never reached the surface. As it stalled and cooled below ground, it formed the pink granitic soils that are only now visible thanks to erosion. The wines produced from this pink granite found mainly in Régnié, Chiroubles, and Fleurie are vastly different from those of Morgon and Brouilly. They are generally lighter in color, body and with a less pronounced tannin presence. As with all of the other Cru's, they are also highly aromatic, although they lean more towards red berries and a more noticeable floral presence. 

2015 Guy Breton Regnié
Régnié AOC wines can also vary greatly depending on the height of the vineyard's location. Régnié vineyards are planted on westward hills ranging from 830 to 1660 feet above sea level, thus sun exposure plays a significant role. The steeper sloped plantings will develop a thicker body than the lower situated vineyards, though the tannin presence on both parcels don't have much of a grip. These higher sloped vineyards are your best bet should you choose to age a Régnié wine. Although most Gamay wines are light bodied, Régnié is one of the Cru's that drinks most like a white wine. The floral qualities are as pronounced as the red berry notes, and the noticeable absence of tannins make for a crispier finish. This distinctly lighter body does not make it the best candidate for cellaring and it's recommended to be consumed young while the most interesting aspects of these wines, the interplay between floral and red berry aromas, is at its peak.

2011 Damien Coquelet
Chiroubles
Chiroubles AOC vineyards are also planted at an elevation similar to Régnié. The south facing Gamay vines here also benefits from sun exposure at high altitude. Chiroubles continues the pink granite legacy, and in some areas these rocks have naturally broken down into a coarse sand. Although these slight terroir differences are noteworthy, the cooler climate of Chiroubles sets it apart from the other Beaujolais Cru's. As a result of the colder temperatures, Gamay vines require a bit more time to fully ripen and harvesting these grapes usually occurs a week or two later than the other Cru's. Given its geographic similarities to Régnié, vineyards on the higher slopes are more likely to produce cellar worthy candidates, though most Chiroubles wines are also consumed young which is when they're at their aromatic best. Chiroubles AOC wine also drinks like a white wine, but the floral aromas tend to outweigh the red berry notes. There is a barely noticeable tannin presence and because of the cooler climate the acidity tends to be a bit sharper than the other Cru's.

2014 Julie Balagny 'Chavot' Fleurie
The highest concentration of underground magma crystallization happened within what is now the Fleurie AOC. The pink granite is in abundance here and consequently, the volume has been turned up to ten on the seductive fruit and floral aromas. The further one goes up the hills of Fleurie, the rockier the terrain becomes. Because there is little to no soil at the top of these hills, the Gamay vines produce wines with a more mineral driven character than Régnié or Chiroubles. These wines are light in color with balanced fresh red fruit and floral aromas. They are medium bodied and begin showing traces of velvety tannins. The lower part of the hills on northern side of Fleurie begin to see elements of clay in the soil. Mixed with the pink granite, these wines are fuller bodied, and begin to display aromas of black fruits with hints of spice. They are also a bit darker in color and can display a pronounced tannin presence in warmer vintages.

MOULIN-À-VENT AOC & CHÉNAS AOC

2011 Jean-Paul Dubost 
Mouli-À-Vent
The soil in both the Moulin-à-Vent and Chénas AOC's is the same pink granite found in Régnié, Chiroubles, and Fleurie, however, the bedrock contains many cracks due to a major fault line that runs through the hills of Moulin-à-Vent and into Chénas. Within this sliced up bedrock, hydrothermal fissures solidified into quartz veins that eventually formed the commercially used metals barium and more notably manganese. Gamay vines in these areas tap into this complex soil and in turn, produce wines remarkably different from other Beaujolais Cru. 

2009 Pascal Aufranc Chénas
The wines produced in these regions are much more mineral driven and have a significant tannin presence not usually associated with Beaujolais Cru's or the Gamay grape. Although they are not as aromatic as the other wines, they do develop interesting pepper and spice notes not usually encountered in other Crus. The main aromatic characteristic that sets it apart is the instantly recognizable scent of violets. They are usually darker and have a weightier mouthfeel with a strong lingering aftertaste. In short, these wines are the fuller bodied of the Cru's. It's because of their heftier bodies that no other Beaujolais Cru's have as much aging potential as these wines. Moulin-à-Vent AOC is the most well known of these two AOC's and its winemaking history dates back to the Roman empire's occupation of French territory. Its rich winemaking history and cellaring potential is the reason it is also referred to as the "King of Beaujolais."

JULIÉNAS AOC & SAINT-AMOUR AOC

2016 Marcel Lapierre Juliénas
Juliénas continues the fragmented pink granite soils found in Moulin-à-Vent and Chénas, but with a further complexity added by severe faulting which produced terrains similar to the schists of Morgon and the limestone soils found in neighboring Mâcon. The wines of Juliénas are a bit more difficult to decipher since the vineyard sites are so diverse. Gamay vines planted on the pink granite soils share similarities with those of Fleurie, the schist rich areas can easily be mistaken for a Côte du Py wine from Morgon, and the fragmented granitic soil wines can have violet aromas that rival those of Moulin-à-Vent or Chénas. Vineyard orientation and hill elevation also play a role in adding to the difficulties in establishing what a wine from Juliénas AOC tastes like. Perhaps, not being able to define a Juliénas wine is precisely what defines a Juliénas wine.

2016 Domaine Chardigny
 'Le Clos Du Chapitre' Saint-Amour
Although Saint-Amour is smaller than Juliénas, it is even more varied in its soil composition as it is caught right in the middle of the granite and schists of Beaujolais and the younger formations of limestone sediments that begin the world renown Pinot Noir and Chardonnay dominated Burgundy region. With so many microclimates within its border, describing a Saint-Amour AOC wine has the potential for being harder to define than Juliénas were it not for the winemaking practices that give it its distinct profile. The most popular style is intended to be consumed young. It involves a skin contact maceration time of less than 10 days and produces a highly aromatic wine. These wines are bright ruby red in color with aromas of fresh red berries and flowers. They are light bodied with a small trace of tannins and can have a silky mouthfeel depending on vineyard location. The other style of Saint-Amour receives longer maceration time, is a bit spicier, and takes a few years of cellaring to reach its full potential. The young style is the one that is the most frequently associated with Saint-Amour AOC wines since it is released a few weeks before Valentine's Day, which is marketing doing its thing.

THE SOUND OF BEAUJOLAIS

I'll never forget the first bottle of Gamay that reeled me into the Beaujolais region. It was a 2009 Marcel Lapierre Morgon. It was the most aromatic wine I had ever experienced at that point and it was speaking a language I was unfamiliar with at the time. It sparked hours of researching the grape, age of the vines, soil, climate, farming practices, the winemaker and his techniques. I wanted to understand the greatness inside that bottle which in hindsight, I didn't realize that I was in fact tasting a place. That bottle is how I came to understand the beauty of terroir. Everything is connected, everything interacts; and soulful wines such as these, continue that interaction with you. Great wines inspire a thirst for a greater understanding of them and the best part is that you can taste the information once you have it. Here's something to jam to as you Cru's Beaujolais: